![]() I also have to mention the Variable Bass setting – neat little filters that can be adjusted to lower or raise bass independently in the left and right channels. There’s also the TripleBore FreqPhase Steel Tube feature – a specially-designed earphone nozzle that equalizes the sound as it travels from the drivers to your ears. The design of the 16V2 hinges on a ten-driver setup, with four drivers handling the lows, another two dedicated to the mids, and the last four concentrating on the high end. ![]() While this particular model doesn’t seem to isolate as well as the cheaper 13V2, but this isn’t a deal-breaker once volume is adjusted, you’ll probably be too busy drinking in that sweet sound to notice ambient noise or outside distractions. The earpieces might seem a bit bulky, but once situated in the ears, they do prove comfortable. This cable is supplied to JH Audio by the warlocks and evil geniuses over at Moon Audio, who have fashioned the cable around the Silver Dragon design (**saliva drips onto keyboard**) and connects to the earpieces via a molded-plastic screw-on collar. The 16V2 comes with a swanky storage case, eatips, a cleaning tool, and a tiny flathead screwdriver for adjusting the Variable Bass filters.īuild-wise, this earphone feels about as durable as they come, with slim but robust cabling measuring a standard 4 ft (1.2 m). At $1299, it’s a bit more expensive, but does it have a sound worthy of that price hike? But today I’m testing out the higher-end companion model, the Jerry Harvey Audio 16V2 Pro. ![]() Two days ago, I took a look at the entry-level 13V2 Pro from Jerry Harvey Audio.
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